The Smithsonian Folklife Festival honors contemporary living cultural traditions and celebrates those who practice and sustain them. This year’s Festival, Indigenous Voices of the Americas: Celebrating the National Museum of the American Indian, highlights living traditions of Indigenous peoples within the Northern, Central, and Southern Americas. Visitors at the Festival can enjoy a wide range of music and dance performances, artisan workshops, cooking demonstrations, hands-on activities, narrative sessions and conversations, and more. The Festival is open 11:00 am – 5:30 pm daily and is FREE! Navigate to the Festival Schedule, for more information.
Accessible seating is available at all performance venues and concessions dining areas. A wide range of accessibility services are available including ASL Interpretation, Audio Description, and Real-time captioning (CART) for selected programs. Navigate to the Accessibility page of the Festival website for more information and resources
Featuring one of the most iconic scores of all time by Jule Styne and Bob Merrill, an updated book from Harvey Fierstein based on the original classic by Isobel Lennart, tap choreography by Ayodele Casel, choreography by Ellenore Scott, and direction from Michael Mayer, this love letter to the theatre has the whole shebang!
The sensational Broadway revival dazzles with celebrated classic songs, including “Don’t Rain On My Parade,” “I’m the Greatest Star,” and “People.” This bittersweet comedy is the story of the indomitable Fanny Brice, a girl from the Lower East Side who dreamed of a life on the stage. Everyone told her she’d never be a star, but then something funny happened—she became one of the most beloved performers in history, shining brighter than the brightest lights of Broadway.
This event is presented as part of the 2024 Smithsonian Folklife Festival.
Based in Buenos Aires, Nadia Larcher (Diaguita Calchaquí) fuses her Indigenous Argentine roots with modern Latin music through strings, percussion, and her distinctive voice.
Accessible seating and assisted listening are available. ASL interpretation and live real-time captioning (CART) will be provided. Navigate to the Accessibility page of the festival website, linked below, for more information.
https://festival.si.edu/accessibility
Smithsonian National Museum of the American Indian - Rasmuson Auditorium
This event is presented as part of the 2024 Smithsonian Folklife Festival.
Singer-songwriter Sara Curruchich is the first Indigenous Guatemalan artist to sing in Kaqchikel for an international audience. Her songs blend elements of rock, folk, and Maya Kaqchikel traditional music, with marimba, bass, and percussion accompaniment for this performance.
Accessible seating and assisted listening are available. ASL interpretation and live real-time captioning (CART) will be provided. Navigate to the Accessibility page of the festival website, linked below, for more information.
The Smithsonian Folklife Festival honors contemporary living cultural traditions and celebrates those who practice and sustain them. This year’s Festival, Indigenous Voices of the Americas: Celebrating the National Museum of the American Indian, highlights living traditions of Indigenous peoples within the Northern, Central, and Southern Americas. Visitors at the Festival can enjoy a wide range of music and dance performances, artisan workshops, cooking demonstrations, hands-on activities, narrative sessions and conversations, and more. The Festival is open 11:00 am – 5:30 pm daily and is FREE! Navigate to the Festival Schedule, for more information.
Accessible seating is available at all performance venues and concessions dining areas. A wide range of accessibility services are available including ASL Interpretation, Audio Description, and Real-time captioning (CART) for selected programs. Navigate to the Accessibility page of the Festival website for more information and resources
This event is presented as part of the 2024 Smithsonian Folklife Festival.
Representing First Nations in Nova Scotia, Canada, Sons of Membertou present Mi’kmaw music traditions through drum repertoire and the Mi’kmaw language. This concert publicly kicks off a collaboration with the group that will culminate in a future Smithsonian Folkways album.
Presented with Smithsonian Folkways Recordings and the Embassy of Canada to the United States to mark Canada Day.
Accessible seating and assisted listening are available. ASL interpretation and live real-time captioning (CART) will be provided. Navigate to the Accessibility page of the festival website, linked below, for more information.
https://festival.si.edu/accessibility
Smithsonian National Museum of the American Indian - Potomac Atrium
Featuring one of the most iconic scores of all time by Jule Styne and Bob Merrill, an updated book from Harvey Fierstein based on the original classic by Isobel Lennart, tap choreography by Ayodele Casel, choreography by Ellenore Scott, and direction from Michael Mayer, this love letter to the theatre has the whole shebang!
The sensational Broadway revival dazzles with celebrated classic songs, including “Don’t Rain On My Parade,” “I’m the Greatest Star,” and “People.” This bittersweet comedy is the story of the indomitable Fanny Brice, a girl from the Lower East Side who dreamed of a life on the stage. Everyone told her she’d never be a star, but then something funny happened—she became one of the most beloved performers in history, shining brighter than the brightest lights of Broadway.
Featuring one of the most iconic scores of all time by Jule Styne and Bob Merrill, an updated book from Harvey Fierstein based on the original classic by Isobel Lennart, tap choreography by Ayodele Casel, choreography by Ellenore Scott, and direction from Michael Mayer, this love letter to the theatre has the whole shebang!
The sensational Broadway revival dazzles with celebrated classic songs, including “Don’t Rain On My Parade,” “I’m the Greatest Star,” and “People.” This bittersweet comedy is the story of the indomitable Fanny Brice, a girl from the Lower East Side who dreamed of a life on the stage. Everyone told her she’d never be a star, but then something funny happened—she became one of the most beloved performers in history, shining brighter than the brightest lights of Broadway.
Featuring one of the most iconic scores of all time by Jule Styne and Bob Merrill, an updated book from Harvey Fierstein based on the original classic by Isobel Lennart, tap choreography by Ayodele Casel, choreography by Ellenore Scott, and direction from Michael Mayer, this love letter to the theatre has the whole shebang!
The sensational Broadway revival dazzles with celebrated classic songs, including “Don’t Rain On My Parade,” “I’m the Greatest Star,” and “People.” This bittersweet comedy is the story of the indomitable Fanny Brice, a girl from the Lower East Side who dreamed of a life on the stage. Everyone told her she’d never be a star, but then something funny happened—she became one of the most beloved performers in history, shining brighter than the brightest lights of Broadway.
Join the Smithsonian American Art Museum for a docent-led virtual tour designed for participants who are blind or have low vision. Discover highlights from the collection through rich verbal descriptions that invoke a multisensory experience.
Featuring one of the most iconic scores of all time by Jule Styne and Bob Merrill, an updated book from Harvey Fierstein based on the original classic by Isobel Lennart, tap choreography by Ayodele Casel, choreography by Ellenore Scott, and direction from Michael Mayer, this love letter to the theatre has the whole shebang!
The sensational Broadway revival dazzles with celebrated classic songs, including “Don’t Rain On My Parade,” “I’m the Greatest Star,” and “People.” This bittersweet comedy is the story of the indomitable Fanny Brice, a girl from the Lower East Side who dreamed of a life on the stage. Everyone told her she’d never be a star, but then something funny happened—she became one of the most beloved performers in history, shining brighter than the brightest lights of Broadway.
When Marty McFly finds himself transported back to 1955 in a time machine built by the eccentric scientist Doc Brown, he accidentally changes the course of history. Now he’s in a race against time to fix the present, escape the past, and send himself... back to the future. When Back to the Future hits 88mph, it’ll change musical theatre history forever.
Called “the funniest farce ever written,” NOISES OFF presents a manic menagerie of itinerant actors rehearsing a flop called NOTHING’S ON. Slamming doors, on and offstage intrigue, and an errant herring all figure in the plot of this hilarious and classically comic play. Keegan’s acclaimed 2010 production of NOISES OFF played to sold-out houses — and finally returns in 2024 by popular demand!
Performance Days & Times
August 1 - September 1
Thursdays-Saturdays at 8:00 pm
Select Mondays at 8:00 pm
Sundays at 3:00 pm
Called “the funniest farce ever written,” NOISES OFF presents a manic menagerie of itinerant actors rehearsing a flop called NOTHING’S ON. Slamming doors, on and offstage intrigue, and an errant herring all figure in the plot of this hilarious and classically comic play. Keegan’s acclaimed 2010 production of NOISES OFF played to sold-out houses — and finally returns in 2024 by popular demand!
Performance Days & Times
August 1 - September 1
Thursdays-Saturdays at 8:00 pm
Select Mondays at 8:00 pm
Sundays at 3:00 pm
Great Scott! Back to the Future, the beloved, cinematic classic is now a Broadway musical with its destination set for Washington, D.C., in 2024.
When Marty McFly finds himself transported back to 1955 in a time machine built by the eccentric scientist Doc Brown, he accidentally changes the course of history. Now he’s in a race against time to fix the present, escape the past, and send himself... back to the future. When Back to the Future hits 88mph, it’ll change musical theatre history forever.
Great Scott! Back to the Future, the beloved, cinematic classic is now a Broadway musical with its destination set for Washington, D.C., in 2024.
Winner of the 2022 Olivier Award for Best New Musical, four WhatsOnStage Awards, including Best New Musical, and the Broadway World Award for Best New Musical, Back to the Future: The Musical is adapted for the stage by the iconic film’s creators Bob Gale (Back to the Future trilogy) and Robert Zemeckis (Forrest Gump) and directed by the Tony Award® winner John Rando with original music by multiple Grammy® Award winners Alan Silvestri (Avengers: Endgame) and Glen Ballard (Michael Jackson’s “Man in the Mirror”), alongside hit songs from the movie including “The Power of Love,” “Johnny B. Goode,” “Earth Angel,” and “Back in Time.”
When Marty McFly finds himself transported back to 1955 in a time machine built by the eccentric scientist Doc Brown, he accidentally changes the course of history. Now he’s in a race against time to fix the present, escape the past, and send himself... back to the future. When Back to the Future hits 88mph, it’ll change musical theatre history forever.